Separation and headroom
OM / Orchestra Model
For players who need separation, headroom, and enough space between the notes for complex voicings to stay readable.
Instruments
I build acoustic guitars for players who care about how quickly the note speaks, separates notes, and pushes back through the hands. Most of that work happens before the guitar looks finished.
Instrument philosophy
The useful question is not which model sounds best in the abstract. It is what the guitar has to do for the player. From there I work through the top, braces, bridge, neck, and setup until the instrument supports that job.
Separation and headroom
For players who need separation, headroom, and enough space between the notes for complex voicings to stay readable.
Immediate balance
For a lighter touch, where quick attack and even response matter more than raw output.
Warmth with control
For players who want the familiar push of a larger guitar without letting the low end take over the rest of the instrument.
Built around the player
Custom work starts with your touch, your tuning, the music it has to cover, and what your current guitar will not do.